Since branching out from journalism and market research nearly a decade ago, I’ve worked with a lot of clients (and clients’ clients) in a content role. These companies have operated in several healthcare and technology market segments, and they’ve ranged in size from startups to multinationals, but many have had one thing in common.
Sometimes it happens almost immediately, and sometimes it takes several months. But nearly every time, the conversation shifts from “We’d love to have you on board to do foundational long-form content!” to “Hey, can you write a press release?” or “Hey, have you ever written web copy?” (Or, in the case of where I worked full-time for all of 8 months, “Hey, can you copy edit a PowerPoint our client’s using for an internal meeting?”) In most cases, this shift follows a period when my workload has been lighter than expected, whether explicitly stated in my contract or generally agreed upon in principle.
Be honest about the workload you can offer
There are typically two factors at play in these situations. One is immediate, readily apparent, and fairly superficial: The client ran out of things for me to do. Throwing another project my way can certainly serve as a stopgap measure, and make me feel appreciated and wanted, but it tends to reflect the second, much more systemic, factor: The client never had enough things for me to do in the first place.
I’m generally sympathetic toward whomever the client has tasked with managing me, since the dried-up content pipeline usually falls on the shoulders of someone else. I’ll express frustration, but I’ll do it politely.
I’m less sympathetic to the clients themselves. Why would you enter a business agreement with a content person without a clear-cut plan for providing them with a steady stream of work that makes the most of their capabilities?
I’m not arrogant enough to think that every content meeting has an agenda item called “What to Assign to Beastwood, Our Amazing, Funny, and Handsome Content Guru,” but it’s not unreasonable to think that you’re at least occasionally talking internally about how to use the skills of the person you agreed to pay to do work for you on a regular basis.
If you don’t expect a regular cadence of work, that’s fine. Hire the writer to do your foundational content, pay them, and then call it a day. Or, hire them to do occasional work, with the understanding that they may not always be available because, well, you’re only asking them to work occasionally, and chances are they have other work from other clients who do give them regular assignments, and therefore plan for a project to take a few weeks to complete.
Both of these arrangements are perfectly reasonable. I’ve done single foundational pieces for more than one client, and we’ve both walked away after the piece was done, happy with what we’ve produced and knowing full well that would be the end of that. I’ve also worked with multiple clients who’ll reach out every few months with an assignment that’s not especially time sensitive. This work won’t win me a Pulitzer or pay for our overdue bathroom renovation, but it will add to my writing portfolio and After-School Snack Fund without leaving me frustrated or befuddled about a lack of follow-up.
Make a plan before making promises
Don’t promise a writer a regular cadence of work – a set number of hours per week, or a set number of pieces per quarter – without first knowing how you plan to get the writer that work and then sharing that plan with the writer. You need to be able to account for five things:
- What you want.
- When you want it.
- What you can pay for it.
- Who you’re relying on (mostly internally, but occasionally externally) to get the writer what’s needed to get it done.
- What will hold it up, whether it’s a release date that may not actually happen or a team of executives arguing in Microsoft Word comments whether a solution synergizes data or leverages it.
At best, without a plan you’re flying by the seat of your pants trying to keep a writer busy, and you’re not meeting the expectations set forth in your contract. At worst, you’re leaving a writer on standby, telling them that work is coming at some point, probably soon, but maybe later – and giving them all the more reason to look for clients that don’t promise something they can’t deliver. (And, if you have the person on retainer, you’re probably lighting some money on fire, too.)
Don’t be afraid to talk about it
Here’s another way to think about it. That freelance writer is essentially a business partner. Odds are they’ve created an LLC, or at the very least a DBA and business checking account. They probably have an accountant and calculate business expenses (even if they’re primarily Post-It notes, newsletter subscriptions, and reams of printer paper that may or may not also feed their child’s crafting supplies).
Does your company leave its traditional business parters guessing, or do you routinely check in with vendors and consultants? When things start to get light, do you forget about them, or do you work together to come up with ways to get more done, in accordance with their skills and your shared expectations?
There are plenty of reasons for a content pipeline to dry up. I get that nearly all of them are beyond your control when you’re one cog in the corporate machine. But if you want to build longstanding relationships with freelancers – who will remember you when you take on a new role and, on the other hand, won’t be afraid to spill the tea if things fizzle out – then it pays to treat them as partners.
That means having a coherent plan for how you intend to work together, along with having difficult conversations when that plan starts to fall apart. The sooner you open those lines of communication, the more likely you are to avoid the awkwardness of explaining to them (not to mention your boss, and probably the people who make your budget) why there’s nothing for them to do. You’re also more likely to salvage the situation without having to tell a freelancer they can’t work with you any more because you ran out of money or capacity – or having the freelancer walk away because they’re smart enough to see the writing on the wall.


